美学追求:张艺谋电影改编中的多元探索

改编小说是张艺谋电影成功的基础和关键。在改编过程中张艺谋有着多元的美学追求。他继承了分解性美学，保留原的故事性，并强化情节、集中矛盾，从而克服了第五代电影的局限。为寻求突破，他又实践了纪实性美学，简化故事线索、淡化情节，并以偷拍的手法创造了一种初始真实的幻觉。而张艺谋电影改编中最具特色的是对影像美学的运用，他充分发挥了影像造型的艺术表现力，巧妙应用隐喻象征等手段，把学语言转化为视觉语言。

Aesthetic Pursuit: Varied Exploring in the Revising from Novel to Film Directed by Zhang Yimou

Revising novels is the crucial and essential presupposition of the film directed by Zhang Yimou and he had varied aesthetic pursuit during revising. He carried forward the traditions of decomposing aestheticism, retaining plot, intensifying story and concentrating contradiction, so that he could overcome the limitation of the film directed by the Fifth Generation. He put the recordable aestheticism into practice, simplified thread and plot of the story and he created the phantasm of original truth by means of shooting in a hidden way. Furthermore, the most characteristic point of Zhang Yimou is the utilization of image aestheticism. He gave full play to the visual image and utilized the means of syrnbolization and metaphor, by which he transformed written language to visual language.