| 论当代宁夏回族作家的意象书写 |
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| 引用本文： | 乌兰其木格,;王引萍.论当代宁夏回族作家的意象书写[J].西北第二民族学院学报,2014(3):68-72. |
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| 作者姓名： | 乌兰其木格 ;王引萍 |
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| 作者单位： | [1]北京师范大学文学院,北京100875; [2]北方民族大学文史学院,宁夏银川750021 |
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| 基金项目： | 北方民族大学国家社科前期培育项目“近代妇女问题小说研究”（2011QSP02） |
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| 摘 要： | 当代宁夏回族作家的写作建构了一个深具清洁精神的审美意象世界。具体而言，回族作家对意象的营构集中在自然意象、宗教建筑意象和动物意象三个层面上。这些独具地域特色的意象选取，折射出回族作家在伊斯兰宗教文化浸润下对生命、信仰和人格的礼赞。回族文学对清洁意象的衷情书写，不仅揭示出回族文学与伊斯兰宗教文化的谐顺关系，同时也拓宽了回族文学的言说价值和精神内涵。
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| 关 键 词： | 回族文学 意象书写 宗教信仰 |
Imagery Writing of Contemporary Hui Muslim Writers in Ningxia |
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| Institution: | ULanqimeg , WANG Yin-ping ( 1. School of Literature, Beijing Normal University, Beijing 100875,China; 2. School of Culture and History, Northern University of Nationalities, Yinchuan 750021, China) |
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| Abstract: | Hui Muslim writers constructed an imagery world with the spirit of purity in Ningxia. In concrete, Hui Muslim writers focused their imagery on the nature, religious buildings and animals. The characteristic selection of these imageties reflected writers＇ praise of life, belief and personality, influenced by the Islamic culture. Hui Muslim＇ s literature on purity imagery conveys the harmonious relations between Hui Literature and Islamic culture, as well as enlarging the representing value and spiritual connotations of Hui Muslim Literature. |
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| Keywords: | Hui Muslim Literature Imagery Writing Religious Belief |
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