| 梁祝故事的文化内蕴 |
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| 引用本文： | 季学原.梁祝故事的文化内蕴[J].宁波大学学报(人文科学版),2000,13(1):22-27. |
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| 作者姓名： | 季学原 |
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| 作者单位： | 宁波大学浙东文化研究所,浙江宁波,315211 |
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| 摘 要： | “魏晋时代精神是真正哲学的，因为是最解放、最自由的。”(宗伯华语)梁山伯与祝英台的故事正是在这一特定文化背景下产生的，后经不断加工，成为我国四大民间故事之一，改编成影片和乐曲后又成为享誉世界之杰作。其巨大成就源于它的丰厚民族文化内蕴。1600多年来，其主体部分的精神向度、文化历史指向都是一以贯之的、鲜明的．
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| 关 键 词： | 梁祝故事 文化内蕴 精神向度 历史指向 |
| 文章编号： | 1001-5124(2000)01-0022-06． |
| 修稿时间： | 1998-02-28 |
The Cultural Implication of the Story of Liang-Zhu |
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| Ji Xueyuan.The Cultural Implication of the Story of Liang-Zhu[J].Journal of Ningbo University(Liberal Arts Edition),2000,13(1):22-27. |
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| Authors: | Ji Xueyuan |
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| Abstract: | The spirit in the time of the Wei and Jin Dynasties was philosophical, free and really liberated. The Story of Liang Shanbo and Zhu Yinytai (Liang-Zhu) was,born in such a spedal historical background. It was later developed into one of the top four Chinese folk stories. It was world widely known after it was adapted into movie and music. Its power was originated from the great implication of the Chinese culture. Over 1600 years, its spiritual guidance and cultural and historical direction hits been clear and unequivocal. |
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| Keywords: | the Story of Liang-Zhu cultural implication spiritual guidance historical direction |
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