正变批评在清代文学批评中的展开

清代文学正变批评主要在古典诗学与词学两大维面展开:从诗学正变批评而言,清人主要从对正变的理论阐述,对诗史、诗体正变的多样判析及对传统诗学正变批评的消解三大方面予以了展开;从词学正变批评而言,清人则主要从词体质性及词作风格特征,词作历史发展,具体历史时期的词人词作,词作艺术表现与审美效果,以及对传统词学正变批评的转替和融通等方面予以了展开。清代文学正变批评在整体上体现出比此前任何时代都更为平正通变的批评视野,它们为我国古代文学正变批评的最终深化、融通与消解作出了贡献。

The Expanding of Literary Criticism on Orthodox School and Variation in the Qing Dynasty

The literary criticism on orthodox school and variation in the Qing Dynasty was developed in two aspects.With regard to the poetics criticism on the orthodox school and the variation in the Qing Dynasty,the orthodox school and variation was discussed mainly in the following aspects: its theoretical assumptions,multiple analyses of poetry types,poetry history from the perspective of the orthodox school and its variation and deconstruction of the traditional theory of the orthodox school and its variation;With regard to the Ci-poetry criticism on the orthodox school and the variation,the orthodox school and the variation was mainly discussed in the aspects of the nature,style, history of Ci-poetry,the poet and poems of specific historical stages,Ci's expression and aesthetic effects,its evolution and merging.The literary criticism on the orthodox school and the variation in the Qing Dynasty is characterized by greater fairness and flexibility as well as a wider horizon than in any other times,and contributed to the deepening,merging and deconstructing of ancient literary criticism on the orthodox school and the variation.