| 哲学对艺术的剥夺和艺术的终结——丹托早期的艺术哲学发展思路 |
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| 引用本文： | 王佳.哲学对艺术的剥夺和艺术的终结——丹托早期的艺术哲学发展思路[J].学术探索,2012(4):16-18. |
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| 作者姓名： | 王佳 |
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| 作者单位： | 四川大学 文学与新闻学院, 四川 成都 610065 |
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| 摘 要： | 阿瑟.丹托的两篇论文《哲学对艺术的剥夺》与《艺术的终结》是丹托早期艺术哲学思想发展的投射。前者通过哲学对艺术的剥夺,给出了艺术的出路在于艺术哲学;后者则是从认知和发展观出发,得出艺术史终结的必然。由此看出,丹托艺术哲学具有本质主义与历史主义双重属性。
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| 关 键 词： | 艺术的终结 剥夺 艺术史 艺术哲学 |
Philosophy′s Disenfranchisement of Art and The End of Art——The Early Developmental Thought of Danto′s Art Philosophy |
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| WANG Jia.Philosophy′s Disenfranchisement of Art and The End of Art——The Early Developmental Thought of Danto′s Art Philosophy[J].Academic Research,2012(4):16-18. |
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| Authors: | WANG Jia |
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| Institution: | WANG Jia(School of Literature and News,Sichuan University,Chengdu,610065,Sichuan,China) |
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| Abstract: | Arthur Danto′s two papers "The Philosophical Disenfranchisement of Art" and "The End of Art" manifest the ideas of his early art philosophy.In the first paper,Danto holds that the outlet of art lies in the art philosophy,while in he second one,he puts that,according to epistemology and progress view,the end of art is necessary.So we can conclude that Danto′s art philosophy possesses both essentialism and historicism. |
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| Keywords: | the end of art disenfranchisement the history of art the art philosophy |
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