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| 王国维的意境论与境界说 | |
| 引用本文： | 程相占. 王国维的意境论与境界说[J]. 文史哲, 2003, 1(3): 70-74 |
| 作者姓名： | 程相占 |
| 作者单位： | 山东大学,文艺美学研究中心,山东,济南,250100 |
| 基金项目： | 教育部普通高等院校人文社会科学重点科研基地重大项目资助。 |
| 摘 要： | 王国维的意境论与境界说不能混为一谈 :论述意境的文献是《人间词乙稿序》,而境界说则出自《人间词话》;意境可以分解为意、境、观三要素 ,而境界则主要指真情或心灵境界 ,无法分解 ;意境论受西方理论影响的痕迹较明显 ,而境界说则体现了回归中国传统诗学的倾向 |
| 关 键 词： | 意境论 观 心灵境界 境界说 |
| 文章编号： | 0511-4721(2003)-0070-05 |
| 修稿时间： | 2002-11-11 |
Wang Guowei''''s Theory of Artistic Conception and the Idea of Artistic Ambit |
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| CHENG Xiang zhan. Wang Guowei''''s Theory of Artistic Conception and the Idea of Artistic Ambit[J]. Journal of Literature,History and Philosophy, 2003, 1(3): 70-74 | |
| Authors: | CHENG Xiang zhan |
| Abstract: | Wang Guowei's theory of artistic conception can not be confused with the idea of artistic ambit: the discourse of artistic conception was found in Renjian Ciyi Gaoxu, while that of artistic ambit in Renjian Cihua; the artistic conception can be divided into three parts of meaning, area and idea, while the artistic ambit mainly refers to the true feelings or inner ambit; the theory of artistic conception is mainly influenced by the western theories, while the idea of artistic ambit mainly embodies the tendency to returning to traditional Chinese theory of poem. |
| Keywords: | Theory of artistic conception Idea Spiritual ambit Idea of artistic ambit |
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