| 悲哀的叹美--庐隐小说审美品格探源 |
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| 引用本文： | 胡亭亭. 悲哀的叹美--庐隐小说审美品格探源[J]. 佳木斯大学社会科学学报, 2003, 21(5): 50-51 |
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| 作者姓名： | 胡亭亭 |
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| 作者单位： | 哈尔滨学院,中文系,黑龙江,哈尔滨,150080 |
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| 基金项目： | 黑龙江省教育厅人文社科基金项目(10534014) |
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| 摘 要： | 庐隐因婚恋题材在五四作家中卓然独立,她通过小说中的女性形象表达了自己对个性解放、婚姻自主的追求,以及追求中的迷惘、困惑和悲哀.她的作品深深地打着悲哀的烙印,这既是她自身的悲哀和痛苦的外泄,也是时代的症候及文学潮流的影响.同时,她的悲哀主义还与她的审美观念有着密切的联系,她是一个悲哀的叹美者.
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| 关 键 词： | 悲哀 伤感 文学潮流 审美观念 |
| 文章编号： | 1007-9882(2003)05-0050-02 |
| 修稿时间： | 2003-04-20 |
The Sadness of Praising Beauty--The Characteristics of Aethetics and Resources of Lu Yin's Novel |
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| HU Ting-ting. The Sadness of Praising Beauty--The Characteristics of Aethetics and Resources of Lu Yin's Novel[J]. Journal of Social Science of Jiamusi University, 2003, 21(5): 50-51 |
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| Authors: | HU Ting-ting |
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| Abstract: | Lu Yin is one of the prominent May D.4 writers on love affairs materials,she expresses her individual emancipation,the pursue of marriage of her free will as well as perlexation,confusion, sadness .By the femine images in her novel.This is not only the outlet of her sadness and suffering,but also the impact of literary trend and the the symbol of age.Meanwhile,her saddism is also related with her aesthetics,she is a sorrawful aesthete. |
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| Keywords: | sad sentimental literary trend aesthetic concept |
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