存在的负担——贾樟柯电影剧作的主题分析

本文指出了贾樟柯不媚俗、直面现实进行创作的态度是当前中国电影创作乃至文艺创作的正确态度;分析了其中体现的贾樟柯对当前主导意识形态与大众文化意识形态进行的双重超越。《小武》、《站台》、《任逍遥》均表达了作者感知的“存在的负担”,并以小人物的实际处境表达了对主流话语的批判;但文学成就最高的是《小武》,小武的形象具有打动人心、甚至移易人心的感染力和感召力。而《世界》则在创造自身话语与认同主流话语之间游移不定,缺乏一种人物应具有的持守,因而显示出了创作上的不足。

The Burden of Reality——On the Themes of JIA Zhang-ke''''s movies

The four influential movies indicate JIA Zhang-ke's realistic attitude toward film literary composition which breaks through the present mainstream ideology and public cultural ideology.The realistic difficult situation of nonentities in JIA Zhang-ke's films Xiaowu,Zhantai and Renxiaoyao indicates his criticism of the mainstream discourse as well as his perception of the burden of reality.Xiaowu with touching plot and artistic appeal reaches the top of JIA Zhang-ke's works in literary achievement,while Shijie is imperfect because of the characters' flexibility in belief.