| 美国视觉文化和环境运动的开端 |
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| 引用本文： | 盖尔·莱文,张玮玮.美国视觉文化和环境运动的开端[J].江苏大学学报(社会科学版),2012,14(5):1-5. |
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| 作者姓名： | 盖尔·莱文 张玮玮 |
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| 作者单位： | 1. 纽约城市大学,纽约
2. 山东轻工业学院外国语学院,山东济南,250353 |
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| 基金项目： | 山东高校人文社科研究计划(J12WG77) |
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| 摘 要： | 美国的视觉文化已经超越了对国家自然美景和资源的欣赏。从20世纪40年代开始,一些艺术家已经开始表达他们对科技发展正使自然环境陷入困境的担忧,他们的担忧与美学有着复杂的联系。当代许多艺术家都致力于环境恢复工程,努力使已经遭受破坏的生态系统回到平衡的状态。人们对环境破坏的担忧首先表现为对原子弹发明的恐惧,20世纪40年代起,有几位艺术家开始围绕这一危险性进行创作。
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| 关 键 词： | 环境主义 艺术家 生态女权主义 恢复 原子的 |
Visual Culture and the Beginnings of the Environmental Movement in the United States |
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| Institution: | Gail Levin(The City University of New York,New York,USA;School of Foreign Languages,Shandong Polytechnic University,Jinan 250353,China) |
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| Abstract: | American visual culture moved beyond the appreciation of the country＇s natural beauty and re- sources. By the 1940s, some artists had begun to express their concern that technological developments were endangering the natural environment. Their concern bears a complex relationship to aesthetics. Today numerous artists are working on environmental reclamation projects, hoping to bring the damaged ecosystems back to healthier states. Concern with damage to the environment first registered as alarm with the invention of the atomic bomb. By the 1940s, a few artists had already begun to produce work focusing on this danger. |
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| Keywords: | environmentalism artists eco-feminists reclamation atomic |
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