| 古代气论的三种形态及其美学意蕴 |
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| 引用本文： | 余开亮,蔡永海.古代气论的三种形态及其美学意蕴[J].北华大学学报(社会科学版),2001,2(3):69-72. |
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| 作者姓名： | 余开亮 蔡永海 |
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| 作者单位： | 1. 中国人民大学,哲学系,北京,100872
2. 北华大学,师范人文学院,吉林,吉林,132013 |
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| 摘 要： | 古代气论是中国化中一个蕴义复杂的问题。本试图通过一种西方学理式的分析，来展示气论所包含的天之元气、人之体气和艺之气三个层面及各自内涵。围绕气论三个层面天-人-的独立和相互作用格局去揭示中国化中所蕴涵的生命美学精神。
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| 关 键 词： | 元气 体气 文气 生命精神 |
| 文章编号： | 1009-5101(2001)03-0069-04 |
| 修稿时间： | 2001年1月22日 |
Three Types of Ancient "Qi" and Their Aesthetic Meaning |
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| YU Kai liang ,CAI Yong hai.Three Types of Ancient "Qi" and Their Aesthetic Meaning[J].Journal of Beihua University(Social Sciences),2001,2(3):69-72. |
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| Authors: | YU Kai liang CAI Yong hai |
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| Institution: | YU Kai liang 1,CAI Yong hai 2 |
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| Abstract: | Ancient "qi" is an ambiguous problem in Chinese culture. The thesis tries to show three layers and contents of "yuan qi" of the nature, "ti qi" of the body and "wen qi" of the literature and art by western analysis method. The spirit of life aesthetics in Chinese culture is discovered by surrounding three layers of "qi" and their interaction. |
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| Keywords: | Yuan qi Ti qi Wen qi Living spirit |
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