| 伽达默尔的审美意识批判及其启示 |
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| 引用本文： | 陈吉猛.伽达默尔的审美意识批判及其启示[J].湖南大学学报(社会科学版),2002,16(6):75-79. |
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| 作者姓名： | 陈吉猛 |
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| 作者单位： | 浙江大学,中文系,江苏,浙江,310028 |
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| 摘 要： | 伽达默尔对海德格尔的艺术真理学说进行解释学的重构 ,通过审美意识批判提出理解的真理 ,并以之作为艺术理论的立足点。伽达默尔指出 :康德的审美趣味、席勒的审美王国、哈曼的审美感知、尧斯的审美经验将纯粹的审美意识作为艺术理论的立足点 ,否弃艺术的作为理解的认识的真理功能 ,显示了美学对于艺术理论的局限性。伽达默尔的这一批判结果对我国当代文学理论建设和发展极具启迪意义。
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| 关 键 词： | 艺术真理 审美意识 审美区分 艺术理论的美学方式 |
| 文章编号： | 1008-1763(2002)06-0075-05 |
| 修稿时间： | 2002年4月8日 |
The Criticism of Aesthetic Consciousness by Hans-Georg Gadamer and Its Revelation |
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| CHEN Ji,meng.The Criticism of Aesthetic Consciousness by Hans-Georg Gadamer and Its Revelation[J].Journal of Hunan University(Social Sciences),2002,16(6):75-79. |
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| Authors: | CHEN Ji meng |
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| Abstract: | Gadamer reconstructed the theory of art truth by Hermeneutics and stated the truth of art that was regarded as standpoint of art theory through criticism of aesthetic consciousness. Gadamer pointed out that the aesthetic interest by Kant and the aesthetic kingdom by Schiller and the aesthetic perception by Hamann as well as the aesthetic experience by Jauss which took aesthetic consciousness as standpoint of art theory showed limitations of aesthetics to art theory because the truth of art was neglected in them. The conclusion by Gadamer is greatly valuable for the construction of literary theory in China. |
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| Keywords: | truth of art aesthetic consciousness aesthetic differentiation aesthetic method of art theory |
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