| 以“一”求“多”——中国戏曲艺术形式美创造规律管窥 |
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| 引用本文： | 张金梅. 以“一”求“多”——中国戏曲艺术形式美创造规律管窥[J]. 阴山学刊, 2003, 16(6): 40-42 |
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| 作者姓名： | 张金梅 |
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| 作者单位： | 湖北民族学院文学院 湖北 |
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| 摘 要： | 中国戏曲艺术植根于中国古代深厚的哲学文化背景,逐步形成了以“一”求“多”的形式美创造规 律,既有一定的理论深度,又有丰富的实践内容,并与时俱进,规约着当今的戏曲改革。
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| 关 键 词： | 中国戏曲 艺术形式 以“一”求“多” 语言体制 表演风格 戏曲改革 |
| 文章编号： | 1004-1869(2003)06-0040-03 |
| 修稿时间： | 2002-07-07 |
An Exploration of Form Beauty Law of Chinese Traditional Opera Art |
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| ZHANG Jin - mei. An Exploration of Form Beauty Law of Chinese Traditional Opera Art[J]. Yin Shan Academic Journal, 2003, 16(6): 40-42 |
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| Authors: | ZHANG Jin - mei |
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| Abstract: | Growing in Chinese ancient profound philosophical and cultural field, Chinese traditional opera art progressively forms the aesthetic law of seeking particularity by generality, which has a theoretic depth as well as the rich practical content. Progressing with each passing day, it stipulates an agreement with reform of traditional opera today. |
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| Keywords: | Chinese traditional opera artistic form seeking particularity by generality language form exhibitional style reform of traditional opera |
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