| 论中国传统插花艺术的立意特性 |
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| 引用本文： | 徐寅岚.论中国传统插花艺术的立意特性[J].湖南大学学报(社会科学版),2020,34(2):96-102. |
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| 作者姓名： | 徐寅岚 |
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| 作者单位： | 东南大学 艺术学院,江苏 南京 210000 |
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| 基金项目： | 湖南省社会科学基金;教育部人文社会科学研究项目 |
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| 摘 要： | 中国传统插花艺术将意趣放在首位,对立意极为重视。从中国传统插花艺术的创作动机着手,抛开视觉艺术均具有的基本的对“美”的追求,从更深入的角度提炼出中国传统插花艺术在道、儒、释三家影响之下所孕育出的“天人合一、托物寓情、物随原境”的立意特性。
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| 关 键 词： | 传统插花 立意特性 天人合一 托物寓情 物随原境 |
Characteristics of Conception in Chinese Traditional Flower Arrangement Art |
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| XU Yin-lan.Characteristics of Conception in Chinese Traditional Flower Arrangement Art[J].Journal of Hunan University(Social Sciences),2020,34(2):96-102. |
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| Authors: | XU Yin-lan |
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| Abstract: | Chinese traditional flower arrangement art puts interest first and attaches great importance to conception. Starting from the creative motivation of Chinese traditional flower arrangement art, the paper puts aside the basic pursuit of "beauty" in visual art, and extracts from a deeper perspective the ideological characteristics of "harmony of heaven and man, supporting things to convey feelings, and keeping things with the original situation" bred by Chinese traditional flower arrangement art under the influence of Taoism, Confucianism and Buddhism. |
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| Keywords: | traditional flower arrangement the characteristics of conception harmony of heaven and man supporting things to convey feelings keeping things with the original situation |
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