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| 花袭人的审美内涵和审美接受 | |
| 引用本文： | 梁归智. 花袭人的审美内涵和审美接受[J]. 河南教育学院学报(哲学社会科学版), 2011, 30(2): 1-4 |
| 作者姓名： | 梁归智 |
| 作者单位： | 辽宁师范大学文学院,大连,116029 |
| 摘 要： | 对花袭人的审美接受随着时代意识形态的变迁而产生歧异,也由于曹雪芹用写诗的方法写小说而留下了艺术空白。多元的审美内涵体现在袭人的形象中,袭人姓花具有深远的象征意味,其实代表着薄命司三等＂册子＂中所有女儿的命运悲剧。 |
| 关 键 词： | 花袭人 花 写诗 写人 审美内涵 审美接受 |
HUA Xiren' s Aesthetic Connotation and Aesthetic Acception |
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| LIANG Guizhi. HUA Xiren' s Aesthetic Connotation and Aesthetic Acception[J]. Journal of Henan Education Institute(Philosophy and Social Science Edition), 2011, 30(2): 1-4 | |
| Authors: | LIANG Guizhi |
| Affiliation: | LIANG Guizhi(Literature School,Liaoning Normal University,Dalian 116029,China) |
| Abstract: | The aesthitic acception of HUA Xiren changed with the different age ideology,and it leaved the art space as well,for CAO Xueqin created the novel by writing the poems.As an image,HUA Xiren has multiple aesthetic connotation and symbolical meaning.Her surname means flower,which represents all girls＇ tragedy endings in A Dream of Red Mansions. |
| Keywords: | HUA Xiren flower writing a poem creating an image aesthetic connotation aesthetic acception |
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