| 中国古代壁画传播形式及其兴衰探因 |
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| 引用本文： | 郑良勤.中国古代壁画传播形式及其兴衰探因[J].郑州大学学报(哲学社会科学版),2006,39(1):165-169. |
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| 作者姓名： | 郑良勤 |
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| 作者单位： | 郑州大学,学报编辑部,河南,郑州,450001 |
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| 基金项目： | 河南省教育厅人文社会科学研究项目《中国板报与壁报传播史研究》。项目批准号:2004-GH-112 |
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| 摘 要： | 作为人类应用最早的信息符号和实体媒介,壁画有着久远的传播历史和演进过程。我国古代壁画的主要传播形式有宫室壁画、墓室壁画、石窟壁画和寺观壁画。作为绘画的一种主要方式,中国古代壁画传播的兴衰具有一定的历史必然性,是由多种因素促成的。
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| 文章编号： | 1001-8024(2006)01-0165-05 |
| 修稿时间： | 2005年9月15日 |
Investigation of the Rising and Down Reasons for the Communication Form of our Country's Ancient Wall Pictures |
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| ZHENG Liang-qin.Investigation of the Rising and Down Reasons for the Communication Form of our Country''''s Ancient Wall Pictures[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2006,39(1):165-169. |
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| Authors: | ZHENG Liang-qin |
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| Abstract: | As the earliest information symbol and entity medium applied by man,the wall picture has its own long communication history and evolution process.The main communication forms of our country's wall pictures are: palace wall pictures;grave chamber ones;stone cave ones and temple ones.As a kind of painting form,its rise and down have certain historic necessity and are promoted by many factors. |
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| Keywords: | Wall picture entity medium communication form information symbol necessity |
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