| 论谢榛诗论的矛盾性 |
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| 引用本文： | 段宗社.论谢榛诗论的矛盾性[J].四川大学学报(哲学社会科学版),2004(2):129-132. |
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| 作者姓名： | 段宗社 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 摘 要： | 谢榛把"以兴为主"作为创作论命题,反对"先立大意",主张依"兴"取意,而在创作策略上,谢榛又提出所谓"相因之法",并没有将"兴"贯彻于整个创作过程。这是七子派诗学矛盾性的一方面体现,根源于中国古典诗歌发展后期所面临的固有困境。
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| 关 键 词： | 谢榛 《四溟诗话》 以兴为主 相因之法 |
| 文章编号： | 1006-0766(2004)02-0129-04 |
| 修稿时间： | 2003年9月15日 |
Contradiction of Xie Zhen's Poetic Theory |
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| DUAN Zong-she.Contradiction of Xie Zhen's Poetic Theory[J].Journal of Sichuan University(Social Science Edition),2004(2):129-132. |
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| Authors: | DUAN Zong-she |
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| Abstract: | Xie Zhen proposed an idea that "poetic inspiration is the dominant factor" and objected to "setting up a conception first" in writing.But in fact, his writing was a form of following one or two good sentences to complete a poem,thus the method actually can be regarded as "taking words or sentences for the dominant factor". What he did contradicted his own principle. |
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| Keywords: | Xie Zhen Siming Poetry Talks poetic inspiration is the dominant factor the method of following inspiration occasionally |
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