| 论当代人类学影像民族志的发展趋势 |
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| 引用本文： | 朱靖江.论当代人类学影像民族志的发展趋势[J].世界民族,2011(6). |
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| 作者姓名： | 朱靖江 |
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| 作者单位： | 北京大学社会学人类学研究所; |
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| 摘 要： | 近30多年以来,人类学影像民族志经历了从理论到方法的一系列重要变革。学术范式的转变与视觉文化的再度勃兴,确立了影像民族志的学术合法性,在文字民族志与影像民族志之间建立起对话与互文的关系。加之多媒体与互联网技术的迅猛发展,影像民族志的写作也从早期单一的人类学纪录片朝向虚构影片、网络互动短片等新的表达形式进行探索与实验。国际人类学影像民族志也因此而呈现出多元而生机勃勃的发展趋势。
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| 关 键 词： | 视觉人类学 影像民族志 民族志虚构电影 超媒体民族志 |
The Development of Contemporary Ethnographic Film in Anthropology |
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| Zhu Jingjiang.The Development of Contemporary Ethnographic Film in Anthropology[J].World Ethno-National Studies,2011(6). |
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| Authors: | Zhu Jingjiang |
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| Institution: | Zhu Jingjiang |
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| Abstract: | Recent decades have witnessed a series of important changes in contemporary ethnographic film in terms of its theories and approaches.The change of paradigm and revival of visual culture not only validate ethnographic film in anthropology,but establish a dialogic and intertextual relationship between written ethnography and ethnographic film.Promoted by the rapid development of multimedia and internet,ethnographic film began to explore and test some new representation forms,such as ethnofiction,interactive ... |
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