| 徽州民居浅析 |
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| 引用本文： | 曾伟.徽州民居浅析[J].东南大学学报(哲学社会科学版),2009,11(6). |
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| 作者姓名： | 曾伟 |
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| 作者单位： | 东南大学艺术学院,江苏南京,210018 |
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| 摘 要： | 徽州建筑发轫较早,至明清时期达到了鼎盛阶段,此时的徽州建筑已经形成了具有独特地域文化特征的建筑艺术风格,是长江流域重要的建筑流派之一。徽州同时也是我国古代民居与村落遗存最丰富的地区之一,徽州民居的形成有其特有的历史文化原因、经济条件、民居理念及审美特征。有着悠久历史的徽派文化,体现在徽州民居建筑艺术特征中,它不仅具有基于封建儒家伦理纲常的成人伦、助教化的审美功效,同时也具有道家的玄素相间的整体形态,它以自然为基础,以对立统一与线性造型的形式为审美法则,使徽州成为一处别开生面的中国传统文化集散地。
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| 关 键 词： | 徽州 建筑 艺术特点 |
Huizhou residential impression |
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| ZENG Wei.Huizhou residential impression[J].Journal of Southeast University(Philosophy and Social Science ),2009,11(6). |
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| Authors: | ZENG Wei |
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| Abstract: | Huizhou architecture with a long history has formed its style characterized by the unique regional culture since the Ming and the Qing dynasties.Besides representing an important architectural style,Huizhou is also a place where most of the ancient residences and villages are well preserved.These buildings not only are related to the specific historical,cultural and economic background,but also reflect people's residential conception and aesthetic standard.Both the Confucian and Taoist influence can be foun... |
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