| "看"的形而上学--从《示众》到《檀香刑》 |
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| 引用本文： | 黄晓华."看"的形而上学--从《示众》到《檀香刑》[J].武汉理工大学学报(社会科学版),2004,17(4):491-495. |
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| 作者姓名： | 黄晓华 |
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| 作者单位： | 武汉大学,中文系,湖北,武汉,430072 |
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| 摘 要： | "看",作为一个意向性过程,沉淀了丰富的社会心理文化内容。而由示众向戏剧的转化,更是集中体现了"看"的意向性转化,折射出一种社会心理与创作心理。现当代文学对观众如何"看"示众的描写的发展,深入挖掘了"看"的丰富内涵,继承并发展了国民性改造这一命题。
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| 关 键 词： | 示众 意向性 国民性 |
| 文章编号： | 1671-6477(2004)04-0491-05 |
| 修稿时间： | 2004年6月25日 |
Metaphysics of Watch--From Shizhong to Tanxiangxing |
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| HUANG Xiao-hua.Metaphysics of Watch--From Shizhong to Tanxiangxing[J].Journal of Wuhan University of Technology(Social Science Edition),2004,17(4):491-495. |
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| Authors: | HUANG Xiao-hua |
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| Abstract: | Watch, as an action with intention, contains abundant meaning of social culture and psychology. Meanwhile, the transformation from pillory to drama incarnates the intention transformation of watch. Thus, it reflects some kind of mood of the writer and the society. The development of depicting watch in Chinese modern literature , not only discovers the deep implication of watch, but inherits and improves the motif of rebuilding the character of nation. |
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| Keywords: | watch-drama pillory intention character of nation |
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