| 中西文论视域中的"赋、比、兴" |
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| 引用本文： | 叶嘉莹.中西文论视域中的"赋、比、兴"[J].河北学刊,2004,24(3):116-122. |
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| 作者姓名： | 叶嘉莹 |
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| 作者单位： | 南开大学,中华古典文化研究所,天津,300071 |
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| 摘 要： | "赋、比、兴"乃<诗经>和中国古代诗歌借物象与事象传达感动并引起读者感动的三种表达方式,是心物之间互动关系的反映."兴"是由物及心,"比"是由心及物,"赋"是即物即心.它与西方在"形象与情志关系"上的最大不同在于,西方的诗歌创作多出于理性的安排,从而降低了"兴"在诗歌创作中的地位而成为不重要的一环,其八种"情志与形象之间的关系"仅类于中国诗歌创作中"赋、比、兴"三种表现手法中的"比"的手法.
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| 关 键 词： | "赋、比、兴" 中西文论 物象与事象 心物关系 |
| 文章编号： | 1003-7071(2004)03-0116-07 |
| 修稿时间： | 2003年10月16 |
Exposition,Comparison and Affective Image Both in Western and Chinese Literary Theories |
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| YE Jia-ying Canada.Exposition,Comparison and Affective Image Both in Western and Chinese Literary Theories[J].Hebei Academic Journal,2004,24(3):116-122. |
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| Authors: | YE Jia-ying [Canada] |
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| Abstract: | Exposition, comparison and affective image are three expressive methods used in "The Book of Songs" by which image of thing and image of event are applied to move readers. They are also the interaction between human mind and thing.Compared with the relationship of image, affection and intent in the West, the sharp difference lies in its rational arrangement of poetic writing, thus relegating affective image to an inferior place, equivalence of comparison in China. New explanations are given in the connotative exploration of the three expressive methods. |
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| Keywords: | exposition comparison and affective image Western and Chinese literary theories image of thing and image of event relationship between human mind and thing |
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