| 论手机影视艺术的叙事特点 |
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| 引用本文： | 李明.论手机影视艺术的叙事特点[J].昆明理工大学学报(社会科学),2010(5):66-70. |
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| 作者姓名： | 李明 |
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| 作者单位： | 重庆邮电大学传媒艺术学院,重庆400065 |
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| 基金项目： | 教育部人文社科研究项目“手机动漫艺术研究”（09YJC760059）; 重庆市哲学与社会科学规划项目“手机动漫内容形态研究”（SKZ0910）阶段性成果 |
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| 摘 要： | 经过手机数码基因化的影视艺术——手机影视,不仅仅是为影视艺术增添了一条传播途径,还具有自身独特的艺术特点。较之传统影视,手机影视无论是本体特性还是其它显在特征都有了质的变化,它已然超越了传统影视艺术的生存模式而呈现出一种全新艺术形态。其叙事特征也相应发生了变化,能指大于所指、对视觉进行修辞、碎化主题中心、强化消费以及虚实空间不断转换等新的叙事特点,都对传统影视艺术的叙事方式进行了延宕,使其呈现出多元化特征。
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| 关 键 词： | 手机影视 叙事特点 消费时代 颠覆和重构 |
On the Narrative Feature of Mobile Film and TV |
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| LI ming.On the Narrative Feature of Mobile Film and TV[J].Journal of Kunming University of Science and Technology(Social Sciences),2010(5):66-70. |
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| Authors: | LI ming |
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| Institution: | LI ming(College of Communication and Fine Arts,Chongqing University of Posts and Telecommunications,Chongqing,400065,China) |
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| Abstract: | Mobile film and TV generated from digital technology,not only become a new mode of transmission for film and TV,but also shows its own unique artistic features.Compared with traditional firm and TV,mobile film and TV have qualitative changes at both ontological level and other manifested features,and it is already beyond the exist mode of existence of traditional film and TV and showing as a new art form.Accordingly,its narrative features also changed.Signifier is more than the referring to;carrying out visual rhetoric;fragmentation central themes;strengthening consumption and continuous conversion for actual situation of new space are new narrative features.It shows as the multi-narrative modes compared with the traditional art of narrative film and TV. |
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| Keywords: | mobile film and TV narrative feature consumption time subversion and reconstruction |
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