清民之际“文学”概念的转换与中国文学史书写——以林传甲、黄人两部《中国文学史》为例

在中国传统语境中，“文学”义指“文章博学”，近代以后成为学术分科的一支，用于指以语言为表达方式的艺术。清民之际，西方“纯文学”史观输入中国，逐渐成为中国文学史建构的理论基础。考析林传甲、黄人的《中国文学史》，可以对清民之际“文学”概念的转换有更具体的认识。林传甲《中国文学史》以传统“文学”概念为理论基点，是非关史体的“讲义”；黄人《中国文学史》汲纳西方“文学”概念的内涵，可说是近代意义文学史的发端。

On the Shift of the "Literature" Concept at the Turn between Qing Dynasty and ROC Age,and the Writing of Chinese Literature History——With Example of Two Books of Chinese Literature History

In traditional Chinese context, ＂literature＂ means ＂articles and various learning＂ . Later the term becomes to mean a branch of academic studies which focuses on language-based arts. At the turn from Qing Dynasty to the Republic of China （ROC） age, the western historic outlook of ＂pure literature＂ was transported into China and became the theoretical basis for constructing Chinese literature history. A survey of the two works of Chinese Literature History, written by Lin Chuangjia and by Huang Ren respectively, offers more concrete understandings of the shift of ＂literature＂ concept at that time. Lin＇s non-chronicle work is lectures based on traditional concept; while Huang＇s is a monograph based on the western concept, which is the origin of Chinese literature history in modern sense.