| 古代曲学中的演艺论 |
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| 引用本文： | 李克和. 古代曲学中的演艺论[J]. 佛山科学技术学院学报(社会科学版), 1999, 0(3) |
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| 作者姓名： | 李克和 |
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| 作者单位： | 佛山科学技术学院人文社会科学分院 |
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| 摘 要： | 古代曲学中的演艺论是伴随着舞台搬演而产生、发展的。从演员论、演唱论、演技论、导演论对古代戏曲演艺论进行分析，可以看出古代戏曲演艺论具有科学性和实践性，对戏曲发展起到积极的推动作用
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| 关 键 词： | 演员论；演唱论；演技论；导演论 |
The theory on artistic performance in the ancient study of Qu melody |
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| LI Ke he. The theory on artistic performance in the ancient study of Qu melody[J]. Journal of Foshan University(Social Science), 1999, 0(3) |
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| Authors: | LI Ke he |
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| Abstract: | The theory on artistic performance in the ancient study of Qu melody originated and developed together with the ancient dances. On the basis of theories on performers, singing, performing technigues, directing and ancient operas, this paper argues that the theory on artistic performance in the ancient study of Qu melody bore scientic and practical characteristics and the theory had positive functions in the development of operas. |
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| Keywords: | the study on ancient Qu theory on performers theory on singing theory on performing techniques theory on directing |
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