| 内蒙古二人台唱腔音乐的旋律形态 |
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| 引用本文： | 贺宇,姜晓芳.内蒙古二人台唱腔音乐的旋律形态[J].阴山学刊,2008(3). |
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| 作者姓名： | 贺宇 姜晓芳 |
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| 作者单位： | [1]包头师范学院音乐学院 [2]内蒙古大学艺术学院 |
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| 摘 要： | 二人台的唱腔音乐主要来源于内蒙古西部农村“社火“中的民歌,地方小调、爬山调以及蒙古族民歌,同时也吸收了晋西北、陕北的某些音调,它遵循着民歌旋律形态的一般规律,同时又由于它与内蒙古西部方言相结合而产生了一些新的特点和规律。
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| 关 键 词： | 二人台 唱腔 旋律形态 节奏形态 |
On the Melodic Formation of the Song-and-Dance Duet in Inner Mongolia |
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| HE Yu,JIANG Xiao-fang.On the Melodic Formation of the Song-and-Dance Duet in Inner Mongolia[J].Yin Shan Academic Journal,2008(3). |
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| Authors: | HE Yu JIANG Xiao-fang |
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| Institution: | HE Yu1,JIANG Xiao-fang2(1.Faculty of Music,Baotou Teachers\' College,Baotou 014030,2.Faculty of Arts,Inner Mongolia University,Huhhot 010010) |
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| Abstract: | The music of song-and-dance duet is originated from the folk songs of shehuo native ditty,hilly ditty and the folk songs of Mongolian Western countryside.Meanwhile,it absorbs some melodies of Northwest Jin and Shanbei Province.It obeys the melodic formation and the rules of folk songs.Combining with Western Mongolian dialect,some new features and rules in the melody appears. |
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| Keywords: | Duet Music of song-and-dance Melodic formation Rhythmatic formation |
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