宋代石窟舞蹈形象研究——大足石刻的典型性舞蹈造像

大足石刻是最具代表性的宋代石窟艺术,它集建筑、舞蹈、美术、音乐等元素于一体,既受宗教仪规和量制的限制,又受时代精神、审美趣味和风俗礼仪等因素的影响,是宋代造型艺术的代表。深入研究大足石刻所蕴含的舞蹈造型,不仅可以挖掘重庆本土的舞蹈资源,丰富大足艺术研究舞蹈领域的薄弱,同时对研究宋代舞蹈的审美价值及史学意义大有裨益。文章以大足宋代石窟中的"六师外道谤佛不孝"、"春龙起蜇图"及"帝释天与阿修罗战"三座石窟舞蹈造型为例,运用形式分析法、比较研究法和文化人类学等方法,挖掘大足石刻中舞蹈形象特征、语汇表达、表现形式及艺术审美取向,从艺术遗产、艺术创作的角度研究其重要

Research on Dance Images in Grottoes in Song Dynarty and the Classic Dance Images in Dazu Rock Carvings

Combining such factors as construction, dance, arts, music and so on,Dazu Grottoes is the best example of the Song Dynasty grottoes arts tending to be limited by religious instruments and gauge systems, as well as influenced by the spirit of the age, aesthetic taste and customs etiquette ,etc. In-depth research in the dance images of Dazu Grottoes will not only discover the local dance sources in Chongqing and enrich the weak studies in the dance perspective of Dazu Grottoes arts, as well as do good to the research studies in dance aesthetic value and historical meaning .This research tries to analyze the dance image features, language expression, forms and artistic aesthetic orientation of the dance images in three grottoes of Dazu grottoes, namely Heretics slandering about the impiety of Buddhism, the Spring Dragon Wakes, the guardian God fights with Asura. Thus, there are profound realistic meaning, as well as great meaning from the perspective of artistic heritage and artistic creation.