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夜郎、夜郎文化及其古乐舞复原之我见
引用本文:王德埙. 夜郎、夜郎文化及其古乐舞复原之我见[J]. 贵州民族学院学报, 2005, 0(1): 19-23
作者姓名:王德埙
作者单位:西南夜郎文化研究院,贵州,贵阳,550025
摘    要:
夜郎的疆域是以贵州为中心的一个发展的概念。夜郎的本义是“团结的多筒”。仡佬、土家、彝为原生态夜郎系民族 ;布依、侗、水、苗、瑶和未定态汉族为融合态夜郎系民族 ;遁水圣母为夜郎系各族共同的祖先。遵义赤水河流域为夜郎文化的核心辐射区域 ;黔、湘、桂、川、鄂、滇为强辐射区域 ;中原和越南为次辐射区域 ;东北亚、东南亚一线为远辐射区域。夜郎文化的历史长河长流至今 ,从民族语言的语族、语支分为四类 ,实际可复原夜郎祭祀、巴楚乐舞、竹筒古乐、八音古乐等中华古乐。

关 键 词:夜郎  夜郎文化  夜郎古乐舞  竹筒古乐  巴楚乐舞
文章编号:1003-6644(2005)01-0019-05
修稿时间:2004-06-07

Studies on the Yelang Kingdom and Ancient Music and Dance
WANG De-xun. Studies on the Yelang Kingdom and Ancient Music and Dance[J]. Journal of Guizhou University for Nationalities, 2005, 0(1): 19-23
Authors:WANG De-xun
Abstract:
The center of the Yelang Kingdom was Guizhou,with Gelao,Tujia and Yi peoples as the original components,and Buyi,Dong,Shui,Miao,Yao and even Han peoples as extended components.These peooples worshiped Water Goddess as their ancestor,and their inhabitation center was the Chishui River area of Zuiyi,Guizhou Province,with much surrounding area as their influence of activities.The studies of the Yelang Kingdom can be based on itsreligious offerings,Bachu dance and music,Bamboo Tube music,and local music.
Keywords:The Yelang Kingdom  the Yelang dance and music  Bamboo Tube music  Bachu dance and music  
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