潜隐在“革命话语”中的不谐音——论丁玲“革命＋恋爱”小说中隐含的矛盾现象

丁玲的“革命＋恋爱”系列小说，深刻呈现了她此期创作探索的矛盾现象：努力表现时代“革命话语”，却不时遭遇潜在“性别话语”的干扰，导致主观意图与客观效果相背反。体现在：本意作为被改造者或受教育者塑造的女性形象，结果却高扬女性主体意识；多重叙述视角的交替运用凸显了作者的性别意识与性别立场；对“革命话语”的表现程度与情感态度也目性别意识与性剐立场的渗透而呈现出纷繁复杂的矛盾现象。丁玲创作探索的得／失对日后女性解放与女性写作发展不无启示意义。

The Unharmonious Voice Hiding in "the Discourse of Revolution"——A View on the Contradiction Appearance Hiding in the "Revolution and Love" Fictions of Ding-ling

The contradiction of Ding - ling＇ s writing exploration has been showed in her ＇ Revolution and Love＇ fiction, in which she wanted to express ＇ the discourse of revolution＇, but to be disturbed by ＇ the discourse of female. ＇ It makes the subjective intention deviate the objective effect. It reflects on that the female figures which are created to be reformed or to be taught, express strongly the author＇ s female - consciousness ; the crossing using of many angles of view show deliciously the author＇ s female consciousness and female position; the degree of expression and the manner of feeling on ＇ the discourse of revolution＇ appear disorderedly and complicatedly also because of the author＇ s female consciousness and female position. The result of Ding - ling＇ s writing exploration is important to the female＇ s liberation and the female writing.