从“音律正变”理论到格调说——《唐音》在元明诗学嬗变中的理论意义

明代诗学以格调说为中心，对中国诗歌的美学结构和风格进行了深入的探讨，成就是巨大的。为理清格调说的理论内含，必须对其理论来源进行研究。本文对明代前期——格调说的形成期理论的衍变进行了分析，汰去旧说对《唐诗品汇》的误解，着重论述《唐音》的音律正变理论对于格调说的导引意义。

From the Theory of the Normal and Changeable Poem Temperament to the One of the Tonics System

This paper reviews the great achievements made by Ming Dynasty in study area of merical pattern and style of Chinese poem aesthetics,taking the tonics system as a dominant factor. It analyses the theoretical development of the tonics system in the early period of Ming Dynasty for the purpose of clearing up the misunderstanding of apprecia tion of poem in Tang Dynasty and rerecognising the normal and changeable theory of The Tone-poems of Tang Dynasty.