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朦胧诗意象的呈现与意境的缺失
引用本文:王丽,蒋登科.朦胧诗意象的呈现与意境的缺失[J].三峡大学学报(人文社会科学版),2007,29(3):32-34.
作者姓名:王丽  蒋登科
作者单位:西南大学,中国新诗研究所,重庆,400715
摘    要:意象和意境是中国传统诗歌的重要美学范畴。意境是中国古典诗歌独特的审美意象。中国新诗作为从中国古代文化中生长出来的异质文化,在呈现纷繁意象的同时,缺失了古典诗歌天人合一的意境美。朦胧诗在将意象化语体进行到底的同时,也表现出明显的反意境化倾向,但艺术上的反意境并不能阻止他们心灵上对意境的深深缅怀。

关 键 词:朦胧诗  意象  意境
文章编号:1672-6219(2007)03-0032-03
修稿时间:2006年11月23

The Presentation of Images and the Deficiency of Artistic Conception in Hazy Poetry
WANG Li,JIANG Deng-ke.The Presentation of Images and the Deficiency of Artistic Conception in Hazy Poetry[J].Journal of China Three Gorges University(Humanities & Social Sciences),2007,29(3):32-34.
Authors:WANG Li  JIANG Deng-ke
Abstract:The image and the artistic conception are important esthetics scope in the Chinese tradition poetry.The artistic conception is the unique esthetic image of Chinese classical poem.The Chinese poetry is heterogeneity culture that grew from China ancient civilization.While presented the complex image,it has revealed the lack of artistic conception beauty of agreement between man and heaven in classical poetry.While the hazy poetry carries the image language body through to the end,also represents the counter-artistic conception tendency obviously,but which cannot prevent the deeply cherish memory of the artistic conception in their mind.
Keywords:hazy poetry  image  artistic conception
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