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王维诗歌中的“天人合一”思想
引用本文:赖爱清.王维诗歌中的“天人合一”思想[J].北京理工大学学报(社会科学版),2009,11(6):115-118.
作者姓名:赖爱清
作者单位:1.福州大学厦门工艺美术学院, 厦门 361002
摘    要:审美的最高境界是心物一体,天人合一的境界,体现为主客体物我两忘,超脱功利,超越自我,从而达到审美的自由和愉悦。它要求审美主体必须是能够“审象于净心”的“天机清妙者”,才能使内意与外象相融,使人的精神合天地之精神。笔者试图用道家和禅宗的理论诠释王维诗歌中这种天人合一的审美境界,从“天机清妙”到“物我两忘”再到“天人合一”,审美主体实现了最高境界的审美活动。

关 键 词:审美    天机清妙    天人合一
收稿时间:2009/6/22 0:00:00

The Conception "Harmony between the Heaven and Human"in Wangwei's Poetry
LAI Ai-qing.The Conception "Harmony between the Heaven and Human"in Wangwei's Poetry[J].Journal of Beijing Institute of Technology(Social Sciences Edition),2009,11(6):115-118.
Authors:LAI Ai-qing
Institution:1.The Arts and Design College of Fuzhou niversity, Xiamen 361002
Abstract:The highest state of Aesthetics is the state of harmony between the heaven and human, and integration between the mind and object. Wangwei's Poetry primarily reflects in the main aesthetic body which has surpassed the utilitarian and achieved true freedom. It requires that the main aesthetic body must be a truly man, whose spirit accords with the nature, then achieves true freedom. The author tries to study the state of Aesthetics in Wangwei's Poetry based on Taoism and Chanism theory. Only in the state of the harmony between the heaven and human, people can realize the true Aesthetics, and achieve true freedom.
Keywords:aesthetics  surpass  harmony between the heaven and human
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