| 曹禺前期戏剧的三种思想资源 |
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| 引用本文： | 王晓华.曹禺前期戏剧的三种思想资源[J].深圳大学学报(人文社会科学版),2003,20(2):61-66. |
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| 作者姓名： | 王晓华 |
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| 作者单位： | 深圳大学艺术与设计学院,广东,深圳,518060 |
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| 摘 要： | 本文通过对曹禺戏剧的文本分析和考察曹禺的精神历程发现:曹禺在建构自己的前期戏剧时整合了基督教文化、中国道家思想、西方生命哲学等思想资源,由此形成了自己剧作独特的结构和思想意蕴。曹禺之所以能够成为20世纪中国最杰出的戏剧家,与他善于整合各种精神资源有因果关系。
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| 关 键 词： | 曹禺 戏剧 思想资源 |
| 文章编号： | 1000-260X(2003)02-0061-06 |
| 修稿时间： | 2002年11月20 |
The Three Ideological Resources of Cao Yu′s Early Dramas |
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| WANG Xiao-hua.The Three Ideological Resources of Cao Yu′s Early Dramas[J].Journal of Shenzhen University(Humanities & Social Sciences),2003,20(2):61-66. |
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| Authors: | WANG Xiao-hua |
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| Abstract: | By way of a textual analysis of Cao Yu' s dramas and a review of his spiritual course,the present paper argues that Cao Yu integrated t he ideological resources of Christi an culture,China's Taoism and the Li fe Philosophy of the West in writing his early dramas and thereupon formed a u nique dramatic structure and ideolo gical implication of his own.The reason why Cao Yu became the most outstanding d ramatist in 20-th century's China is that he is good at integrating different types of ideological resources. |
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| Keywords: | Cao Yu drama ideological resource |
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