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| 论杜夫海纳美学主体间性思想的三重维度 | |
| 引用本文： | 尹航. 论杜夫海纳美学主体间性思想的三重维度[J]. 社会科学, 2010, 0(4) |
| 作者姓名： | 尹航 |
| 作者单位： | 山东大学文学与新闻传播学院,山东,济南,250100 |
| 摘 要： | 杜夫海纳的审美经验现象学蕴含着丰富的主体间性思想,体现了当代西方哲学领域的主体间性转向对美学研究的深刻影响.这一思想是以杜夫海纳建基于审美经验领域的审美知觉意向性为基础和导引,在对审美对象与审美知觉相互关系的深入探讨中,通过由浅入深的多重维度,由特征形态演化为思想范式的.可以说,审美经验现象学的理论大厦正是在这种主体间性整体构思中被精心构筑的.国内美学界对杜夫海纳美学的研究虽已较为广泛而深入,却罕见对这一主体间性思想的自觉揭示.事实上,主体间性思想是理解杜夫海纳美学的一把钥匙,通过探讨"审美对象与审美知觉的互为存在"、"对象‘准主体'与欣赏主体的相遇交往"及"创作主体与欣赏主体的交流对话及其复数化"三个层层深入的逻辑维度,具体揭示这一思想及其演化发展的过程,可以弥补相关研究之不足.＃ |
| 关 键 词： | 审美知觉意向性 审美对象 审美知觉 主体间性 |
Three Levels of Mikel Dufrenne's Aesthetic Inter-Subjectivity |
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| Yin Hang. Three Levels of Mikel Dufrenne's Aesthetic Inter-Subjectivity[J]. Journal of Social Sciences, 2010, 0(4) | |
| Authors: | Yin Hang |
| Abstract: | Dufrenne's phenomenology of aesthetic experience includes an abundant thought of the inter-subjectivity,which embodies the deep influence on the aesthetic research by the direction changing in contemporary western philosophy. Directed by the aesthetic perceptional intentionality which is based on the domain of aesthetic experience,this thought of inter-subjectivity is developed step by step from the characteristic of inter-subjectivity of the relationship between the aesthetic object and the aesthetic perce... |
| Keywords: | Aesthetic perceptional intentionality Aesthetic object Aesthetic perception Inter-subjectivity |
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