| “神”与“逸”、“风骨”与“北宗”论 |
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| 引用本文： | 陈正俊. “神”与“逸”、“风骨”与“北宗”论[J]. 东南大学学报(哲学社会科学版), 2002, 4(5): 90-93 |
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| 作者姓名： | 陈正俊 |
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| 作者单位： | 东南大学,艺术学系,江苏,南京,210096 |
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| 摘 要： | 有些论家立“神刚逸柔”之论 ,未为确论。“逸”之“柔”并不会必然引出其对立面“刚”与“神”的必然联系。“北宗”论家与绘画的审美追求 ,与《文心雕龙·风骨》篇关联紧密 ,都属于“势”体系的刚性美系统。在绘画中“逸品”的生发、成熟 ,也正是刚性美系统衰落的过程。
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| 关 键 词： | 神 逸 刚 柔 风骨 北宗 |
| 文章编号： | 1671-511X(2002)05-0090-04 |
| 修稿时间： | 2002-03-18 |
On "spirit" and "ease","vigour of style" and "the northern model" |
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| CHEN Zheng jun. On "spirit" and "ease","vigour of style" and "the northern model"[J]. Journal of Southeast University(Philosophy and Social Science ), 2002, 4(5): 90-93 |
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| Authors: | CHEN Zheng jun |
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| Abstract: | The viewpoint that holds "spirit" and "toughness" in contrast to "ease" and "softness" is not evidently proved.The "softness" of "ease" cannot necessarily lead to the connection between its opposite "toughness" and "spirit".The aesthetic standards of the "northern model" both in theory and painting belong to the system of tough beauty which focuses on power.The production and development of painting with ease was accompanied by the decline of the system of tough beauty. |
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| Keywords: | spirit ease vigor of style toughness softness the northern model |
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