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| 谈王灼《碧鸡漫志》的审美标准--兼与颜飞林先生商榷 | |
| 引用本文： | 迟乃鹏. 谈王灼《碧鸡漫志》的审美标准--兼与颜飞林先生商榷[J]. 西华大学学报(哲学社会科学版), 2006, 25(2): 28-31 |
| 作者姓名： | 迟乃鹏 |
| 作者单位： | 西华大学人文学院,四川,成都,610039 |
| 摘 要： | 王灼于《碧鸡漫志》中提出了“中正”这一音乐思想。在王灼的心目中,“中正”二字其本意,实际上是谈乐律,而颜飞林却把这二字视为对词的审美标准,可谓风马牛不相及。其次,颜先生认为“雅”是王灼对词的审美标准之一,也并不无史料依据。再次,补充了五点为颜先生所忽略了王灼对词的审美标准。 |
| 关 键 词： | 王灼 《碧鸡漫志》 审美 中正 |
| 文章编号： | 1672-8505(2006)02-0028-04 |
| 修稿时间： | 2005-03-02 |
Aesthetics in Wang Zuo''''s "On Standard Music-My Reflection in Biji"--Discussion with Mr. Yan Fei-lin |
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| CHI Nai-peng. Aesthetics in Wang Zuo''''s "On Standard Music-My Reflection in Biji"--Discussion with Mr. Yan Fei-lin[J]. Journal of Xihua University:Philosophy & Social Sciences, 2006, 25(2): 28-31 | |
| Authors: | CHI Nai-peng |
| Abstract: | The paper points out that Wang Zuo puts forward his music concept that refers to the system of cadence in the book "My Reflection in Biji".However,Yan Feilin takes Wang's music concept as the criterion of lyric aesthetics,which is totally unrelated.On the other hand,Yan considers elegance as one criterion of lyric aesthetics which is based on historical data.The author also supplements five aesthetic standards overlooked by Yan. |
| Keywords: | Wang Zuo," On Standard Music-My Reflection in Biji" ,aesthetics,standard music |
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