| 论电影受众的窥视审美体验 |
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| 引用本文： | 衣凤翱.论电影受众的窥视审美体验[J].河北科技师范学院学报(社会科学版),2011,10(4):63-66,79. |
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| 作者姓名： | 衣凤翱 |
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| 作者单位： | 盐城师范学院文学院,江苏盐城,224002 |
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| 基金项目： | 盐城师范学院2010年度校级人文社会科学研究项目“海派文化视域下新时期中国电影中的上海影像”(10YCKW040) |
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| 摘 要： | 精神分析学电影理论对影像的理解是电影艺术研究逐渐由客体影像研究向主体受众研究转变的过程,其对电影受众的窥视审美体验的重视是一种辩证的历史发展逻辑的必然结果。精神分析学电影理论将银幕隐喻为"镜子"阐释了电影受众窥视审美体验的发生机制,而其对电影———"梦"的理解更成为电影受众窥视审美体验发生的关键。电影受众窥视审美体验的发生是受众以窥视为心理基础,以认同为心理机制的重要观影心理活动。
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| 关 键 词： | 电影 受众 窥视 审美体验 |
Discussion on Peep Aesthetic Experience of Film Audience |
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| Yi Feng'ao.Discussion on Peep Aesthetic Experience of Film Audience[J].Journal of Hebei Normal UNiversity of Science & Technology :Social Sciences,2011,10(4):63-66,79. |
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| Authors: | Yi Feng'ao |
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| Institution: | Yi Feng'ao(The School of Liberal Arts,Yancheng Teachers University,Yancheng Jiangsu 224002,China) |
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| Abstract: | The understanding of image in the Psycho-analysis film theory is a process during which the study of object images is transformed into the study of main audiences.And it is an inevitable dialectical logic result during the historical development,which pays attention to peep aesthetic experience of film audiences.In the psycho-analysis film theory,the screen is considered as mirror that explains the occurrence mechanism of peep aesthetic experience of film audiences.And the understanding of film-dream become... |
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| Keywords: | film audience peep aesthetic experience |
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