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论《三国演义》的文学性及其创作性质
引用本文:杜贵晨.论《三国演义》的文学性及其创作性质[J].复旦学报(社会科学版),2002(3):124-130.
作者姓名:杜贵晨
作者单位:河北大学人文学院,保定,071002
摘    要:评价文学的标准是艺术感染力。《三国演义》的文学性在于它有意突出的情感因素是渗透弥漫于全书的本质特征 ,使一部主要以故事取胜的小说在一定程度上带有了诗意 ,成为耐人咀嚼的“有意味的形式” ,标志了《三国演义》的文学水准和创作性质。进而表明 :我国历史小说由“讲史”话本向章回说部的过渡 ,其实是民间创作向个人创作的转变 ;罗贯中《三国演义》是我国古代第一部文人创作的长篇小说 ;中国古代由个人创作长篇小说的历史从罗贯中《三国演义》开始。

关 键 词:三国演义  情感  创作性质
文章编号:0257-0289(2002)03-0124-007
修稿时间:2001年5月15日

On the Literary Characteristics and Characterization of "The Romance of the Three Kingdoms"
Du Gui,chen.On the Literary Characteristics and Characterization of "The Romance of the Three Kingdoms"[J].Fudan Journal(Social Sciences Edition),2002(3):124-130.
Authors:Du Gui  chen
Abstract:Literature is appraised by its artistic appeal. The pervasive emotional factor is characteristic of The Romance of the Three Kingdoms, and adds poetic flavor to this story which scores its success with its plot. In this way, it assumes a meaningful form which gives people food for thought. All this further indicates that the transition of China's historical novel, from text of story to chapter novel is indeed the change from folk literature to individual writing. In China, Luo Guan zhong's "The Romance of the Three Kingdoms"was the first historical novel written by an individual and he was the first person to write the historical novel.
Keywords:The Romance of the Three Kingdoms  emotion  characterization  
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