从音情顿挫到沉郁顿挫和清壮顿挫——唐宋人对文学境界的开拓与对形式美的体认

在六朝审美自觉的基础上,唐宋文学思想趋于成熟.陈子昂的音情顿挫,杜甫的沉郁顿挫,苏轼的清壮顿挫,既有自觉的理论主张,又有成功的创作实践,在不同阶段,体现出大国之风,标示出文学前进的步伐,标志着古代文学和文学思想的成熟.

On Different Writing Features of Poetry in Tang and Song Dynasties

Based on aesthetic awakening in the Six Dynasties, literary thinking is tending towards matu- rity. From Chen zi-aug's intonation with Feeling of modulation in tone to Du fu's deep feeling of it and to Shu shi's pure-grand feeling of it, these literati not only hald the well-considered theories,but also the successful practice of creation in difference phases. These merits reflect the uriting styles of a great and proud country, made literary progress, and indicated the maturity of ancient literature and literary thinking.