从庄子"小大之辨"论达到逍遥游的前提

“逍遥游”是庄子思想的核心概念,大多庄学研究者过多关注“逍遥游”具有自在逍遥方面的涵义,而忽视“逍遥游”境界具有层面上的差别和达到“逍遥游”的前提。本文在梳理前人对庄子“小大之辨”理解的基础上,指出“小大之辨”是达到逍遥游境界的前提。并且考察中国先秦典籍中“大”这一范畴的不同内涵,指出庄子诗学思想中的“大”与先秦其他各家不同,超越了伦理层面的道德意义而更具有审美层面的内涵,与处于西方文明源头的朗加纳斯的崇高范畴具有汇通意义。位于人类文明早期的朗加纳斯和庄子在各自文化的源头确立了崇高在社会及艺术创作中的地位,是对人的自由精神的一次提升,是对人超越现实要求的肯定。

On the Discrimination between the "Small" and "Big": the Premise of the Happy Excursion

the Happy Excursion is the kernel conception of Chuangtzu's thought.Most of the scholars put special emphasis on the meaning of carefree,instead of the different gradations of the Happy Excursion and the premise of reach those gradations.The author analyses the understanding of previous researchers and declares that it is the essential prerequisite of reaching the Happy Excursion to distinguish between Small and Big.At the same time,the author makes a distinction between different categories of Big in the pro-Qin literature.The Big of Chuangtzu's poetics thought transcends the moral meaning,so has the connotation of aesthetic level and can integrate with the Sublime of Longinus.Longinus and Chuangtzu establish the position of sublime in the society and art creation,which sublimes the human free spirit and confirms the promotion of the status quo.