| 论六朝启文的骈化及其艺术得失 |
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| 引用本文： | 陈鹏. 论六朝启文的骈化及其艺术得失[J]. 华北电力大学学报(社会科学版), 2008, 0(6): 95-99 |
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| 作者姓名： | 陈鹏 |
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| 作者单位： | 河南师范大学文学院,河南,新乡,453002 |
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| 摘 要： | 在六朝的诸种文体之中,启文的骈化较晚,到刘宋时期才出现骈体之作。这一时期,启文也开始产生新变,出现了谢物小启。尤其到了梁代,谢物小启呈雨后春笋之势,不论是在数量上,还是在艺术成就上,都远远超过了用兼表奏的启文,并成为六朝后期四六化色彩很强的一种文体。
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| 关 键 词： | 启文 骈化 艺术得失 六朝 |
Research on Antithesissing and Artistic Gain and Loss of Qiwen in Six Dynasties |
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| CHEN Peng. Research on Antithesissing and Artistic Gain and Loss of Qiwen in Six Dynasties[J]. Journal of North China Electric Power University(Social Sciences), 2008, 0(6): 95-99 |
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| Authors: | CHEN Peng |
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| Affiliation: | School of Literature;Henan Normal University;Xinxiang;453002;China |
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| Abstract: | The antithesissing of Qiwen is relatively retarded in many genres during Six Dynasties.It doesn't bring about antitheses Qiwen and Xiewu Qiwen until Song Dynasty.Especially during Liang Dynasty,the amount and artistic accomplishment of Xiewu Qiwen far exceeds Qiwen,mingling with memorial genre in terms of function, which gradually become one genre possessing more four-six bi-antithesising. |
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| Keywords: | Qiwen antithesissing artistic gain and loss Six Dynasties |
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