| 从《滕王阁序》看骈文在中国文学史上的地位 |
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| 引用本文： | 尹艳华.从《滕王阁序》看骈文在中国文学史上的地位[J].吉林工程技术师范学院学报,2003(11). |
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| 作者姓名： | 尹艳华 |
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| 作者单位： | 吉林工程技术师范学院基础教研部 吉林 |
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| 摘 要： | 骈文是我国文学史上争议较大、影响较深的文体。王勃的《滕王阁序》无论内容还是形式,都代表骈文的最高成就。从内容上看,《滕王阁序》拓展了骈文的艺术境界。在艺术形式上《滕王阁序》接受了六朝抒情小赋的传统,又在骈赋的形式上加以散文化,达到了内容美与形式美的统一。本文旨在通过分析王勃《滕王阁序》的内容、形式及艺术境界,探讨骈文在文学发展史上的地位和影响,肯定它对中国文学发展所起的作用。
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| 关 键 词： | 《滕王阁序》 骈文 中国文学史 |
The position of Parallel Prose being in the history of Chinese Literature |
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| YIN Yanhua.The position of Parallel Prose being in the history of Chinese Literature[J].Journal of Jilin Teachers Institute of Engineering and Technology(Natural Sciences Edition),2003(11). |
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| Authors: | YIN Yanhua |
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| Abstract: | Parallel prose is the writing which is controversial in the history of Chinese literature, Preface to the Poem on Pavilion of Prince Teng represents the highest achievement of parallel prose both in the content and the type. The article explores the position of parallel prose in the history of Chinese literature and makes certain its effect on Chinese literature through analysing the content, type and artistic realm of Preface to the Poem on Pavilion of Prince Teng. |
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| Keywords: | Preface to the Poem on Pavilion of Prince Teng parallel prose history of Chinese literature |
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