| 形、神、韵-汉魏唐宋山水诗画艺术自然审美走向 |
| |
| 引用本文： | 徐定辉.形、神、韵-汉魏唐宋山水诗画艺术自然审美走向[J].湖北民族学院学报(自然科学版),2002,20(1):76-79. |
| |
| 作者姓名： | 徐定辉 |
| |
| 作者单位： | 湖北民族学院文学院 湖北恩施445000 |
| |
| 摘 要： | 自然美是人化自然的结果,山水诗画艺术是主体自然美感经验的物化形态。从六朝到宋代的山水诗画艺术,大致经历了从写形、传神、达意的转变过程,同时又折射出人们对自然美的认识的嬗变轨迹
|
| 关 键 词： | 自然美 山水诗画 形 神 韵 |
| 文章编号： | 1004-941(2002)01-0076-04 |
| 修稿时间： | 2001年11月10 |
Form,Spirit and Romantic Charm——The Tendency of Evaluating the Natural Beauty of the Arts in Han,Wei,Tang and Song Dynasties'Landscape Painting and Poem |
| |
| XU Ding-Hui.Form,Spirit and Romantic Charm——The Tendency of Evaluating the Natural Beauty of the Arts in Han,Wei,Tang and Song Dynasties''Landscape Painting and Poem[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2002,20(1):76-79. |
| |
| Authors: | XU Ding-Hui |
| |
| Abstract: | Natural beauty is the result of personified nature,and the art of landscape painting and poem is the subjective materialized form of natural beauty through the sensation of personal experience.The art of landscape painting and poem,from the Sixth Dynasties to Song Dynasty,has experienced the changes of describing forms,conveying spirit and expressing the meaning,and at the same time it has also reflected the evolutionary orbit that people understand the beauty of nature. |
| |
| Keywords: | natural beauty landscape painting and poem form spirit romantic charm |
| 本文献已被 CNKI 维普 等数据库收录！ |
|
