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东北民间笑谑艺术初探——以东北方言与"二人转"为例
引用本文:周福岩. 东北民间笑谑艺术初探——以东北方言与"二人转"为例[J]. 辽宁大学学报(哲学社会科学版), 2007, 35(5): 80-84
作者姓名:周福岩
作者单位:辽宁大学文学院,辽宁沈阳,110036
摘    要:
东北方言相对于正规、得体、精确的书面语及官方语而言是一种富于狂欢色彩的语体。东北民间笑谑艺术最流行的形式"二人转"即是以东北方言为载体的。"二人转"作为艺术更突出的是它的娱乐品格而非它对生活的反观性,所以很容易被大众文化所吸收。相比于那些提出了更高价值尺度、与人们日常生活经验迥然不同而引起震撼的艺术品,"二人转"的确是世俗的、"酒神式的"艺术,其中"宣泄"要远比"净化"的强度高。作为一种"尚未与日常思维分化的艺术形式","二人转"与生活的反思距离太有限,并始终面临着低俗化和异化的风险。

关 键 词:方言  "  二人转"    东北民间笑谑艺术
文章编号:1002-3291(2007)05-0080-05
修稿时间:2007-07-02

On the Folk Comic Art in the Northeast China
ZHOU Fu-yan. On the Folk Comic Art in the Northeast China[J]. Jounal of Liaoning University(Philosophy and Social Sciences Edition), 2007, 35(5): 80-84
Authors:ZHOU Fu-yan
Abstract:
Compared with the formal,decent written language and official language,the Northeast dialect is a revelrous form of language.As one of the most popular comic forms in the Northeast,errenzhuan heavily relies on the Northeast dialect.The outstanding quality of errenzhuan lies in its entertainment spirit rather than the reflection of life,so it is easier to be accepted by the popular culture.In contrast with those more formal and refined works of art,there is no denying that errenzhuan is more worldly and Dionysiac.As an art form which has not been separated from the daily way of thinking,errenzhuan leaves too limited room for further reflection of life and runs the risk of vulgarization and alienation.
Keywords:dialect  errenzhuan  the folk comic art in the Northeast China
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