| 跑圈子秧歌与西路二人台之比较 |
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| 引用本文： | 贺宇. 跑圈子秧歌与西路二人台之比较[J]. 阴山学刊, 2009, 22(5): 58-61 |
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| 作者姓名： | 贺宇 |
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| 作者单位： | 包头师范学院音乐学院,内蒙古包头014030 |
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| 摘 要： | 跑圈子秧歌和西路二人台都是在同一块音乐文化的土壤上生根发芽,它们在表演形式、唱腔形态和伴奏乐器的奏法上有着各自不同的特点和相同的特征。跑圈子秧歌和西路二人台在形成与发展的过程中,并不是一个狭隘的、封闭式的文化形式,而是在不断地流动、吸收和融合。
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| 关 键 词： | 内蒙古 跑圈子秧歌 西路二人台 表演形式 唱腔形态 伴奏乐器 共生 传承 |
A Comparison between the Dance-in-circle Yangko and Song and Dance Duet |
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| HE Yu. A Comparison between the Dance-in-circle Yangko and Song and Dance Duet[J]. Yin Shan Academic Journal, 2009, 22(5): 58-61 |
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| Authors: | HE Yu |
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| Affiliation: | HE Yu (Faculty of Music, Baotou Teachers＇College; Baotou 014030) |
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| Abstract: | Rooted from the same music culture,the dance-in-circle yangko and Song and Dance Duet have some differences and similarities in performing,singing shape and the playing of the musical instrument accompaniment.In forming and developing,the dance-in-circle Yangko and Song and Dance Duet are neither narrow nor sealed,but are flowing,absorbing and integrating constantly. |
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| Keywords: | Inner Mongolia Dance-in-circle Yangko Sing-and-dance Duet Performance Singing shape Accompaniment of musical instruments Commensalism Smriti |
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