| 浅谈素描的色调 |
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| 引用本文： | 邹荣华,唐婧.浅谈素描的色调[J].广西青年干部学院学报,2005,15(6):70-72. |
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| 作者姓名： | 邹荣华 唐婧 |
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| 作者单位： | 西北民族大学,美术学院,陕西,西安,730030;西北民族大学,美术学院,陕西,西安,730030 |
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| 摘 要： | 形体与色调是素描艺术中最基本的两大方面。在重视对形体结构的理解的同时,应同样重视色调的存在。素描的完整性取决于色调处理的好坏,因此色调对素描具有重要意义。要通过把握色调层次等方式来处理素描的色调。
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| 关 键 词： | 素描 形体 色调 |
| 文章编号： | 1008-5254(2005)06-0070-03 |
| 修稿时间： | 2005年9月12日 |
Talking about the Tone of the Sketch |
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| ZOU Rong-hua,TANG Jing.Talking about the Tone of the Sketch[J].Journal of Guangxi Youth Leaders College(Journal of Guangxi Teenager's Research Association),2005,15(6):70-72. |
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| Authors: | ZOU Rong-hua TANG Jing |
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| Abstract: | The figure and tone are two basic elements in the sketch art.We should lay equal stress on both figure and tone.As we know,the integrity of a sketch depends on whether the tone is well used.Therefore,we must resort to the means such as having a grip on the gradations of the tone to manipulate the tone of the sketch. |
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| Keywords: | sketch figure tone |
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