从《窦娥冤》的双重结构看中国古代的悲剧意识

《窦娥冤》《桃花扇》等剧具有双重结构,中国古代大多数悲剧作品的悲剧性和深层结构具有很多的共性,其“悲剧原型”是各个悲剧的深层主题,它在不同的作品中反复出现,具有约定性的语义联想。中国古代的悲剧意识是由既定的信念与现实之间不可调和的矛盾所引起的,中国古代悲剧是“知其不可为而为之”的道德悲剧。文章从此出发,讨论了中国古代悲剧意识的相关问题。

On the Tragic Consciousness of Ancient China from the Perspective of the Dual Structure of Dou-E Tragedy

The ancient Chinese plays like Dou-E Tragedy and Peach-blossom Fan have a dual structure. Most tragic works in ancient China have many common points in terms of their tragicalness and deep structure. The "tragic prototype" is their intrinsic theme and occurs repeatedly in different works with their restrictive semantic association. The tragic consciousness of ancient China originated from the established beliefs and the irreconcilable conflicts in reality, and the tragedy in ancient China was the moral tragedy of "doing what should not be pursued", on which this paper focuses.