| 《诗经》言情中的“有意味的形式” |
| |
| 引用本文： | 顾瑾. 《诗经》言情中的“有意味的形式”[J]. 盐城师范学院学报, 2004, 24(2): 52-54 |
| |
| 作者姓名： | 顾瑾 |
| |
| 作者单位： | 顾瑾（盐城师范学院,高教研究所,江苏,盐城,224002） |
| |
| 摘 要： | <诗经>在艺术上突出的就是赋、比、兴的创始,赋、比、兴等"有意味的形式"在言情中的广泛运用,构成了中国古典诗歌的独特味道与价值,成就了<诗经>富于内容的结构形式、富于情感的表达形式、富于意境的审美形式.本文努力以文艺美学的观点给<诗经>言情形式以新的观照.
|
| 关 键 词： | 《诗经》 言情方式 有意味的形式 |
| 文章编号： | 1003-6873(2004)02-0052-03 |
| 修稿时间： | 2004-02-18 |
On the Vivid- Image- and- Rich- Sense Expression in The Book of Songs |
| |
| GU Jin. On the Vivid- Image- and- Rich- Sense Expression in The Book of Songs[J]. Journal of Yancheng Teachers College(Humanities & Social Sciences Edition), 2004, 24(2): 52-54 |
| |
| Authors: | GU Jin |
| |
| Abstract: | The outstanding artistic achievement of The Book of Songs is its creation of the rhetorical devices of "fu","bi",and "xing". Extensive use of the vivid-image-and-rich-sense expressions constitutes the unique flavour and value of Chinese classical poetry and makes possible its content-imbued structure,sentiment-imbued expressions and mood-imbued aestheticism. |
| |
| Keywords: | The Book of Songs means of artistic expression vivid-image-and-rich-sense expression |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
