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| 山水画在五代两宋勃兴探因 | |
| 引用本文： | 陈功,李慧. 山水画在五代两宋勃兴探因[J]. 牡丹江师范学院学报(哲学社会科学版), 2007, 0(4): 124-126 |
| 作者姓名： | 陈功 李慧 |
| 作者单位： | 1. 衡阳师范学院,湖南,衡阳,421008 2. 耒阳师范学校,湖南,耒阳,421800 |
| 摘 要： | 任何艺术的成熟、繁荣决不是单个因素的作用,而是那个时代甚至相承续的几个时代的各种因素共同整合的结果.山水画萌生于魏晋南北朝而空前繁盛于五代两宋,其原因主要是大唐文化的影响、五代两宋的疲软分裂的时局、文人画士的自觉追求. |
| 关 键 词： | 山水画 五代两宋 勃兴 大唐文化 文人画士 |
| 文章编号： | 1003-6121(2007)04-0124-03 |
| 修稿时间： | 2006-11-23 |
Searching Why Does the Tandscape Painting Growing Vigorously between five dynasties and Two-Song Dynasty |
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| Chen Gong. Searching Why Does the Tandscape Painting Growing Vigorously between five dynasties and Two-Song Dynasty[J]. Journal of Mudanjiang Teachers' College(Philosophy Social Sciences Edition), 2007, 0(4): 124-126 | |
| Authors: | Chen Gong |
| Abstract: | The maturity, prosperous of any art will never be a single function of a factor, but a common integrating that every kind of factor in that time or several succession times mutually conforms. The landscape painting was born between the Wei Dynasty and the Jin Dynasty and the Southern and the Northern Dynasties, but to be unprecedented prosperity between the five dynasties and the two-Song dynasty. Its reason chains is mainly the Tang emperor's react of culture in art, five dynasties and two-Song dynasty's fission current political situation, and the scholar and painter's aware of pursue. |
| Keywords: | Landscape painting the five dynasties and two-Song dynasty Vigorous growth Tang emperor's culture the scholar and painter |
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