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张爱玲王安忆上海小说的叙事策略
引用本文:邓寒梅.张爱玲王安忆上海小说的叙事策略[J].湖南文理学院学报(社会科学版),2004,29(2):54-56.
作者姓名:邓寒梅
作者单位:衡阳师范学院中文系 湖南衡阳421008
摘    要:不同的身世阅历、艺术个性促使张爱玲王安忆在上海小说中采用了不同的叙事策略。张爱玲的小说追求一种激光般的深度的艺术穿透力 ,她的意象化叙事与反讽叙事侧重于将读者的感受导入人的内心世界。王安忆则喜欢在广阔的时空里展开动人的画面 ,她的叙事由直观写实向元叙述的转变 ,表明了她追求的是广度的艺术辐射面。王安忆比张爱玲更具宽阔的文化视野与不懈的艺术追求。

关 键 词:张爱玲  王安忆  意象化叙事  反讽叙事
文章编号:1672-6154(2004)02-0054-03
修稿时间:2003年11月25

The Narrative Tactics of the Shanghai Fiction by Zhang Ailing and Wang Anyi
DENG Han-mei.The Narrative Tactics of the Shanghai Fiction by Zhang Ailing and Wang Anyi[J].Journal of Hunan University of Arts and Science:Social Science Edition,2004,29(2):54-56.
Authors:DENG Han-mei
Abstract:Different life experiences and artistic personalities have urged Zhang Ailing and Wang Anyi to adopt different narrative tactics in their Shanghai fiction. Zhang Ailing pursues a sort of piercing strength with laser-like depth. Her narrating through imagery and ironic narrating lays special emphasis on orientating the reader's feelings and perception towards the inner worlds of the characters. Wang Anyi, however, prefers to unfold before the readers moving pictures in a wide fictional time and space. The change from direct and objective narration to meta-narration in her fiction shows that what he seeks is a wide artistic radiation range. Compared with Zhang Ailing, Wang Anyi has a wider field of cultural vision and more constant artistic pursuit.
Keywords:Zhang Ailing  Wang Anyi  narrating through imagery  ironic narrating  
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