| 功与过:文革前十七年新诗中的现实主义 |
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| 引用本文： | 骆寒超,章丽萍.功与过:文革前十七年新诗中的现实主义[J].浙江大学学报(人文社会科学版),2001,31(5):14-22. |
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| 作者姓名： | 骆寒超 章丽萍 |
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| 作者单位： | 1. 浙江大学国际文化学系浙江杭州 310027
2. 浙江大学研究生院浙江杭州 310027 |
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| 摘 要： | 文革前17年新诗中的现实主义具有"应该是这样”的前瞻性写实倾向,这一写实倾向将新诗现实主义的创作潮流推向了更高的境界.但极左思潮的日益加剧,导致这一创作特色成为助长政治权威话语的图解手段,随着诗人主体的失落,现实主义也陷入了公式化、概念化的泥潭.
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| 关 键 词： | 现实主义 前瞻性写实 主体失落现实主义 前瞻性写实 主体失落 |
| 文章编号： | 1008-942(2001)05-0014-09 |
| 修稿时间： | 2000年9月6日 |
Gains and Losses: Realism in the New Poetry Before the Cultural Revolution |
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| LUO Han-chao,ZHANG Li-ping.Gains and Losses: Realism in the New Poetry Before the Cultural Revolution[J].Journal of Zhejiang University(Humanities and Social Sciences),2001,31(5):14-22. |
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| Authors: | LUO Han-chao ZHANG Li-ping |
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| Abstract: | During the 17 years before the Cultural Revolution, realism in the New Poetry followed the theoretical principle of "must-be-this-way". This ideological guideline prescribed to literary realism promoted realistic poetry writing to an unprecedented level. The extreme leftist ideology, however, directed this genre of artistic creation to the point of becoming an effective discourse for the political authority. This fall of poetic impersonalization into utilitarian conceptualization degraded realism to a mere non-creative formula. |
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