| 冯梦龙“三言”的口头诗学特征 |
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| 引用本文： | 王委艳.冯梦龙“三言”的口头诗学特征[J].长安大学学报(社会科学版),2011,13(1):83-89. |
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| 作者姓名： | 王委艳 |
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| 作者单位： | 南开大学文学院,天津,300071 |
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| 摘 要： | 以口头诗学理论为背景,从＂程式＂、＂主题＂、＂故事范型＂3个层面揭示冯梦龙编撰的＂三言＂拟话本小说所含有的口头艺术特征。分析认为,冯梦龙＂三言＂拟话本小说保存了口头诗学特征,丰富了口头诗学理论,并对口头诗学进行了＂书面化＂改造,这不仅有利于探究中国古代白话小说的艰难蜕变历程,而且也证实了口头艺术影响中国古代白话小说发展的事实。
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| 关 键 词： | 冯梦龙 口头艺术 帕里-洛德口头诗学理论 书面体 |
Features of oral poetry in FENG Meng-long's fictions |
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| WANG Wei-yan.Features of oral poetry in FENG Meng-long's fictions[J].Journal of Chang'an University(Social Sciences Edition),2011,13(1):83-89. |
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| Authors: | WANG Wei-yan |
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| Institution: | WANG Wei-yan(School of Chinese Language and Literature,Nankai University,Tianjin 300071,China) |
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| Abstract: | On the basis of oral peotry theory,this paper reveals the art characteristics in FENG Meng-long's oral peotries.The analysis shows that his fictions with formula,theme and story pattern not only preserve the features of oral peotry and enrich the theory,but also transform the written style in the peotry.All these are beneficial to the study of the changing history of the ancient fictions,and to prove the truth of the ancient fictions for the oral arts. |
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| Keywords: | FENG Meng-long oral art Parry-Lord theory of oral poetry written style |
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